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सुन्दरकाण्डम्

Sundara Kāṇḍa — The Beautiful Book

Hanumān leaps the ocean, searches Laṅkā by night, despairs and recovers, finds Sītā in the Aśoka grove, gives her Rāma’s ring and takes her jewel, lays waste the grove, faces Rāvaṇa in his court, sets Laṅkā on fire and returns with the news: “I have seen Sītā.”

Hanumān gives Sītā the ring
Hanumān gives Sītā the ring
68 sargas≈ 2,880 ślokas7 episodes here10 verses studied

What this book is about

Devotion in action. Rāma hardly appears; the hero is his servant. It is called “Sundara”, beautiful, because everything in it is beautiful — Hanumān, Sītā, the grove, even Laṅkā — and because it is the book of hope: the turning point at which the separated soul hears from the Lord. It is recited on its own, as a prayer, for courage and the removal of obstacles.

Its inner meaning

Hanumān is the sādhaka who has remembered his strength. He crosses the ocean of saṃsāra, overcomes the three obstacles — attachment to comfort (Maināka), tests of the intellect (Surasā), and the pull of the shadow (Siṃhikā) — enters the city of the senses, nearly gives up, and finds the jīva (Sītā) sitting under the a-śoka tree — the tree of “no sorrow” — holding on to the Name. Burning Laṅkā is the moment in sādhana when one gains mastery over the senses.

In this kāṇḍa

  1. The Leap Across the Ocean sargas 1
  2. Laṅkā by Night sargas 2–11
  3. Anirveda — the Turn from Despair sargas 12–13
  4. Sītā in the Aśoka Grove sargas 14–30
  5. Hanumān Meets Sītā sargas 30–40
  6. From Grove to Court to Burning City sargas 41–55
  7. “I Have Seen Sītā” sargas 56–68

Also on this page: the study companion — 7 topics with the ❖ Maryādā moments and Kamba variants.

Read further: C. Rajagopalachari, chapters 47–59 · Kamala Subramaniam, Sundara 1–17

The Leap Across the Ocean Maināka, Surasā and Siṃhikā sargas 1 · 2 verses · 2 pictures
Hanumān’s leap across the ocean
Hanumān’s leap across the ocean
Surasā opens her mouth to swallow Hanumān
Surasā opens her mouth to swallow Hanumān

The story

Standing on Mount Mahendra, Hanumān bows to the Sun, Indra, Brahmā, the Wind and all beings, presses down so hard that the mountain bleeds streams of minerals, and leaps — “I will go to Laṅkā like an arrow loosed by Rāma.”

Three trials meet him over the sea. The golden mountain Maināka rises to offer him rest; he touches it in gratitude and flies on — no rest until the work is done. Surasā, mother of serpents, sent by the gods to test him, opens her mouth to swallow him; he grows, she widens; suddenly he becomes tiny, darts in and out of her mouth and bows — she blesses him. The shadow-seizing demoness Siṃhikā grabs his shadow and pulls him down; he dives into her and tears her apart. The beings of the sky praise him: one who has steadiness, vision, intelligence and skill never fails.

Verses

Sundara Kāṇḍa 5.1.39Hanumān, before the leap

“Like an arrow loosed by Rāma”

यथा राघवनिर्मुक्तः शरः श्वसनविक्रमः ।
गच्छेत्तद्वद्गमिष्यामि लङ्कां रावणपालिताम् ॥
yathā rāghava-nirmuktaḥ śaraḥ śvasana-vikramaḥ |
gacchet tadvad gamiṣyāmi laṅkāṃ rāvaṇa-pālitām ||
Word by word
yathājust as
rāghava-nirmuktaḥreleased by Rāma
śaraḥan arrow
śvasana-vikramaḥwith the speed of the wind
gacchetwould go
tadvatso
gamiṣyāmishall I go
laṅkāmto Laṅkā
rāvaṇa-pālitāmruled by Rāvaṇa

MeaningAs an arrow loosed by Rāma flies with the speed of the wind, so shall I go to Laṅkā, ruled by Rāvaṇa.

ContextHanumān’s words to the monkeys as he prepares to leap from Mount Mahendra.

Philosophical aspectThe devotee does not see himself as the doer; he is the arrow, Rāma is the archer. This is the Gītā’s nimitta-mātram bhava — be only an instrument — and it is why he cannot fail.

Sundara Kāṇḍa 5.1.198the beings of the sky, praising Hanumān

The four secrets of success

यस्य त्वेतानि चत्वारि वानरेन्द्र यथा तव ।
धृतिर्दृष्टिर्मतिर्दाक्ष्यं स कर्मसु न सीदति ॥
yasya tv etāni catvāri vānarendra yathā tava |
dhṛtir dṛṣṭir matir dākṣyaṃ sa karmasu na sīdati ||
Word by word
yasya tuhe in whom
etāni catvārithese four
vānara-indraO best of monkeys
yathā tavaas in you
dhṛtiḥsteadiness, fortitude
dṛṣṭiḥvision, foresight
matiḥintelligence
dākṣyamskill, dexterity
saḥhe
karmasuin his undertakings
na sīdatidoes not fail

MeaningO best of monkeys, one who has these four, as you do — steadiness, vision, intelligence and skill — never fails in what he undertakes.

ContextSpoken after Hanumān destroys Siṃhikā from within. (Numbering follows the southern recension; some editions place it a few verses earlier.)

Philosophical aspectA complete psychology of action: dhṛti holds the will, dṛṣṭi sees the goal and the obstacles, mati decides, dākṣya executes. Remove any one and effort fails.

The deeper message

Three kinds of obstacle meet every seeker. Maināka is the pleasant obstacle — rest, comfort, “you have earned it” — refused courteously. Surasā is the test that cannot be won by force, only by intelligence and humility. Siṃhikā is the hidden enemy that drags us down by our own shadow — our past, our tendencies — and must be destroyed from inside.

The praise of the sky gives the formula of success in any work: dhṛti (steadiness), dṛṣṭi (vision of the goal), mati (intelligence), dākṣya (skill).

Inner meaning

Becoming small to pass Surasā: the ego that can shrink when needed is the one that succeeds. Hanumān can be as large or as small as the work requires.

Laṅkā by Night Laṅkinī, the palaces, and a mistaken joy sargas 2–11 · 2 pictures
Hanumān and Laṅkinī, guardian of the city
Hanumān and Laṅkinī, guardian of the city
Rāvaṇa’s palace by night
Rāvaṇa’s palace by night

The story

Landing on Mount Lamba, Hanumān sees Laṅkā — golden, fortified, beautiful beyond anything. He waits for dark and shrinks to the size of a cat. At the gate the guardian goddess of the city, Laṅkinī, stops him; he strikes her with his left fist, and she remembers Brahmā’s word: when a monkey defeats you, Laṅkā’s end has come.

He searches every mansion. In Rāvaṇa’s palace he sees the Puṣpaka chariot, then the women of the harem asleep after drinking, and on a crystal couch a woman of great beauty. “It is Sītā!” — he leaps for joy, kisses his tail. Then he stops: Sītā would never sleep, adorn herself, or drink in Rāvaṇa’s house. This is Mandodarī. He is ashamed of his joy and searches on.

He also worries: I have looked at other men’s wives asleep — have I sinned? He reasons that his mind was untouched by desire, and that where else would one look for a woman but among women?

The deeper message

Hanumān’s self-correction is a lesson in discernment (viveka): an appearance that fits our hopes is not the truth; one must check it against what one knows of the essence. Sītā’s character tells him where she cannot be.

His scruple about looking at sleeping women shows the purity of his mind: it is not the eyes that sin but the intention. A pure mind passes through the city of the senses untouched.

Anirveda — the Turn from Despair “Never give up” — the secret of success sargas 12–13 · 1 verse · 1 picture
Hanumān on the wall, in despair over Laṅkā
Hanumān on the wall, in despair over Laṅkā

The story

Every house searched, and no Sītā. Hanumān sits on the wall in despair. If I go back without news, Rāma will die of grief, Lakṣmaṇa will follow, then Bharata, Śatrughna, the queens, Sugrīva, Aṅgada — all because of me. Better to stay here and die, or become an ascetic.

Then he stops himself: “Not giving up is the root of prosperity; not giving up is the highest happiness.” He bows to Rāma, Sītā, Lakṣmaṇa and the gods, and notices one place he has not searched — the Aśoka grove.

Verses

Sundara Kāṇḍa 5.12.10Hanumān to himself

Anirvedaḥ śriyo mūlam — never give up

अनिर्वेदः श्रियो मूलमनिर्वेदः परं सुखम् ।
अनिर्वेदो हि सततं सर्वार्थेषु प्रवर्तकः ॥
anirvedaḥ śriyo mūlam anirvedaḥ paraṃ sukham |
anirvedo hi satataṃ sarvārtheṣu pravartakaḥ ||
Word by word
anirvedaḥnon-despondency, not giving up
śriyaḥ mūlamis the root of success
param sukhamthe highest happiness
anirvedaḥ hinot giving up indeed
satatamalways
sarva-artheṣuin all undertakings
pravartakaḥis what drives one on

MeaningNot giving up is the root of success; not giving up is the highest happiness. It is not giving up that always drives one on in every undertaking.

ContextAt his lowest point, having searched all Laṅkā in vain and thinking of death, Hanumān pulls himself back with this verse — and then sees the Aśoka grove.

Philosophical aspectNirveda is the collapse of the will; anirveda is its recovery. In Vedānta, nirveda in the sense of disenchantment with the world is good (Muṇḍaka 1.2.12), but despondency in the face of a duty is not. The verse is the epic’s mantra for every seeker in a dark hour.

The deeper message

Anirveda — non-despondency — is the hinge on which the whole epic turns. The difference between failure and success is often a single moment of refusing to quit. Notice that Hanumān’s despair is born of love (he fears for others), and so is his recovery.

And the answer was in the one place not yet searched. The seeker who persists finds that the goal was nearer than he thought.

Sītā in the Aśoka Grove Rāvaṇa’s visit, the blade of grass, Trijaṭā’s dream sargas 14–30 · 3 verses · 2 pictures
Sītā in the Aśoka grove, watched by Hanumān
Sītā in the Aśoka grove, watched by Hanumān
Sītā among the rākṣasīs in the Aśoka grove
Sītā among the rākṣasīs in the Aśoka grove

The story

From the top of a śiṃśapā tree in the grove Hanumān sees a woman thin with fasting, in one soiled garment, surrounded by hideous rākṣasīs, “like a flame wrapped in smoke” — and knows her by the jewels Rāma described.

At dawn Rāvaṇa comes with his queens and begs her to be his chief queen. Sītā places a blade of grass between them and speaks to the grass, not to him: return me to Rāma and be safe; I belong to Rāma as light to the sun. He gives her two months, after which she will be cut to pieces for his breakfast, and leaves the rākṣasīs to break her will.

Driven to despair, Sītā thinks of ending her life with her own hair. The old rākṣasī Trijaṭā wakes from a dream: Rāma on a white elephant, Rāvaṇa shaven and in red riding a donkey south, Laṅkā sinking into the sea. “Stop tormenting her; ask her forgiveness.” Auspicious signs begin to appear on Sītā’s body.

Verses

Sundara Kāṇḍa 5.21.15Sītā to Rāvaṇa

“As light belongs to the sun”

अशक्या लोभयितुं नाहमैश्वर्येण धनेन वा ।
अनन्या राघवेणाहं भास्करेण प्रभा यथा ॥
aśakyā lobhayituṃ nāham aiśvaryeṇa dhanena vā |
ananyā rāghaveṇāhaṃ bhāskareṇa prabhā yathā ||
Word by word
aśakyānot possible
lobhayitumto be tempted
na ahamI am not
aiśvaryeṇaby power
dhanena vāor by wealth
ananyānot other, inseparable
rāghaveṇafrom Rāma
ahamI
bhāskareṇafrom the sun
prabhā yathāas light

MeaningI cannot be tempted by power or by wealth. I am not separate from Rāma, as light is not separate from the sun.

ContextSītā’s answer to Rāvaṇa in the Aśoka grove, spoken across a blade of grass she places between them.

Philosophical aspectAnanyā — “not other”. This is the language of Vedānta: the relationship of the jīva to the Lord as of light to its source. What is one with the sun cannot be bought by a lamp.

Sundara Kāṇḍa 5.16.27Hanumān, to himself

Hanumān sees Sītā — and understands Rāma

दुष्करं कुरुते रामो हीनो यदनया प्रभुः ।
धारयत्यात्मनो देहं न दुःखेनावसीदति ॥
duṣkaraṃ kurute rāmo hīno yad anayā prabhuḥ |
dhārayaty ātmano dehaṃ na duḥkhenāvasīdati ||
Word by word
duṣkarama hard thing
kurute rāmaḥRāma is doing
hīnaḥ yat anayāin that, deprived of her
prabhuḥthe lord
dhārayatihe sustains
ātmanaḥ dehamhis own body
na duḥkhena avasīdatiand does not collapse in grief

MeaningRāma is doing something very hard: deprived of her, the lord still keeps himself alive and does not sink under his grief.

ContextHanumān’s thought on first seeing Sītā in the Aśoka grove — her beauty and goodness make him understand the depth of Rāma’s loss.

Philosophical aspectTo bear grief and go on doing one’s duty is a greater feat than any battle. Hanumān sees Rāma’s endurance as part of his greatness.

Sundara Kāṇḍa 5.21.16Sītā to Rāvaṇa

“How could I rest on another’s arm?”

उपधाय भुजं तस्य लोकनाथस्य सत्कृतम् ।
कथं नामोपधास्यामि भुजमन्यस्य कस्यचित् ॥
upadhāya bhujaṃ tasya loka-nāthasya satkṛtam |
kathaṃ nāmopadhāsyāmi bhujam anyasya kasyacit ||
Word by word
upadhāyahaving used as a pillow
bhujamthe arm
tasya loka-nāthasyaof that lord of the world
satkṛtamhonoured
katham nāmahow indeed
upadhāsyāmishall I use as a pillow
bhujam anyasya kasyacitthe arm of anyone else

MeaningHaving rested my head on the honoured arm of that lord of the world, how could I ever rest it on the arm of anyone else?

ContextThe verse after “ananyā rāghaveṇāham”, in Sītā’s reply to Rāvaṇa in the Aśoka grove.

Philosophical aspectOne who has known the higher cannot be satisfied by the lower. The Gītā says the taste (rasa) itself falls away when the Supreme is seen (2.59); Sītā’s refusal is not effort but the natural result of having known Rāma.

The deeper message

Sītā’s strength is that she never negotiates. The blade of grass says: you are not worth looking at; I will speak to you only through this. Her love for Rāma is not an emotion but an identity — “not other than Rāma”, as light is not other than the sun.

Yet even she nearly breaks. The epic never pretends that faith is without dark nights; it shows that help comes, often from an unexpected place — here, from one of the enemy’s own guards.

Inner meaning

The jīva held captive by the ego sits under the tree of a-śoka (“no sorrow”) even in śoka (sorrow), holding on to the memory of the Lord. That remembrance is what keeps her untouched.

Hanumān Meets Sītā Rāma’s story from the branches, the ring and the crest-jewel sargas 30–40 · 1 verse · 2 pictures
The crow at Citrakūṭa — Sītā’s memory
The crow at Citrakūṭa — Sītā’s memory
Hanumān gives Sītā the ring
Hanumān gives Sītā the ring

The story

How to speak to her without frightening her? Hanumān decides to sing Rāma’s story softly, in a human tongue, from the branches. Sītā looks up, sees a monkey and fears a trick. He tells her of Rāma’s qualities and grief, and gives her the signet ring. She holds it as if she held Rāma, and says: “How true is the old saying — joy comes to a man who lives, even after a hundred years.”

Hanumān offers to carry her back on his shoulders at once. She refuses: I will not willingly touch another man; and it is Rāma who must come, defeat Rāvaṇa and take me back with honour. She tells him two private memories to prove to Rāma that he met her — the crow at Citrakūṭa that pecked her and on which Rāma loosed a blade of grass charged as a brahmāstra, sparing it when it surrendered; and the tilaka of red arsenic Rāma once drew on her cheek. She gives him her crest-jewel, the cūḍāmaṇi. “One month more. After that I will not live.”

Verses

Sundara Kāṇḍa 5.34.6Sītā, on receiving Rāma’s ring

Joy comes to the one who lives

कल्याणी बत गाथेयं लौकिकी प्रतिभाति मे ।
एति जीवन्तमानन्दो नरं वर्षशतादपि ॥
kalyāṇī bata gātheyaṃ laukikī pratibhāti me |
eti jīvantam ānando naraṃ varṣa-śatād api ||
Word by word
kalyāṇī batahow auspicious, how true
gāthā iyam laukikīthis popular saying
pratibhāti meseems to me
eticomes
jīvantam naramto a person who lives
ānandaḥjoy
varṣa-śatāt apieven after a hundred years

MeaningHow true this old saying seems to me now: joy comes to one who stays alive, even after a hundred years.

ContextSītā, who an hour earlier was thinking of ending her life, receives Rāma’s ring and quotes a folk proverb.

Philosophical aspectA verse against despair, the twin of Hanumān’s anirveda. Life itself is the condition for grace; to endure is to keep the door open.

The deeper message

Hanumān brings good news gently: he leads with the Name and the story, so that hope enters before the messenger does. That is the skill of a true helper.

Sītā’s refusal to be rescued secretly is the epic’s statement about dignity: the wrong must be undone openly, by the one who should undo it. The crow story is a miniature of the whole Rāmāyaṇa — offence, pursuit, surrender, and grace that spares.

Inner meaning

The ring with Rāma’s name reaches the jīva first; the jewel from her head returns to Rāma — the exchange of the Name and the surrendered self.

Rāma here — which quality, and exactly where

  • The refuge of all In Sītā’s crow story, Rāma spares even the crow that wronged her the moment it surrenders (5.38).
  • The husband Sītā’s memories show a tender, playful husband (5.38, 5.40).
From Grove to Court to Burning City “I am the servant of Rāma” sargas 41–55 · 3 verses · 1 picture
Laṅkā in flames
Laṅkā in flames

The story

His mission done, Hanumān decides to test the enemy’s strength. He uproots the Aśoka grove (sparing Sītā’s tree), kills the servants sent against him, then five generals and Rāvaṇa’s young son Akṣa. Indrajit binds him with the Brahmā weapon; Hanumān submits to it out of respect, and to be brought before Rāvaṇa.

In the court he announces himself: “I am the servant of Rāma of the Kosalas, slayer of the enemy, son of the Wind.” He tells Rāvaṇa to return Sītā and seek Rāma’s friendship. Rāvaṇa orders his death; Vibhīṣaṇa objects that an envoy may not be killed. So they set his tail on fire. Hanumān shrinks out of his bonds, leaps from roof to roof and sets Laṅkā ablaze — then, in horror, fears Sītā may have burned. He finds her safe; the fire, by her prayer, had felt cool to him.

Verses

Sundara Kāṇḍa 5.42.34Hanumān, announcing himself in Laṅkā

Dāso’haṃ kosalendrasya — I am Rāma’s servant

दासो ऽहं कोसलेन्द्रस्य रामस्याक्लिष्टकर्मणः ।
हनुमान् शत्रुसैन्यानां निहन्ता मारुतात्मजः ॥
dāso 'haṃ kosalendrasya rāmasyākliṣṭa-karmaṇaḥ |
hanumān śatru-sainyānāṃ nihantā mārutātmajaḥ ||
Word by word
dāsaḥ ahamI am the servant
kosala-indrasyaof the lord of Kosala
rāmasyaof Rāma
akliṣṭa-karmaṇaḥwhose deeds are effortless
hanumānHanumān
śatru-sainyānāmof the enemy’s armies
nihantāthe destroyer
māruta-ātmajaḥson of the Wind

MeaningI am the servant of Rāma, lord of Kosala, whose deeds are done without effort. I am Hanumān, son of the Wind, destroyer of enemy armies.

ContextHanumān’s war-cry after destroying the Aśoka grove. Notice the order: first “servant of Rāma”, only then his own name and power.

Philosophical aspectDāsya-bhakti — the devotion of the servant. Identity placed in God gives fearlessness; the ego that serves is the ego that is free.

Sundara Kāṇḍa 5.42.33Hanumān, in the Aśoka grove

Jayaty atibalo rāmaḥ — Hanumān’s victory cry

जयत्यतिबलो रामो लक्ष्मणश्च महाबलः ।
राजा जयति सुग्रीवो राघवेणाभिपालितः ॥
jayaty atibalo rāmo lakṣmaṇaś ca mahābalaḥ |
rājā jayati sugrīvo rāghaveṇābhipālitaḥ ||
Word by word
jayativictory to
ati-balaḥ rāmaḥRāma of surpassing strength
lakṣmaṇaḥ ca mahā-balaḥand to mighty Lakṣmaṇa
rājā jayati sugrīvaḥvictory to King Sugrīva
rāghaveṇa abhipālitaḥprotected by Rāma

MeaningVictory to Rāma of surpassing strength, and to mighty Lakṣmaṇa! Victory to King Sugrīva, protected by Rāma!

ContextHanumān’s roar as he lays waste the Aśoka grove, just before “dāso’haṃ kosalendrasya”. The two verses together are chanted as a prayer for courage.

Philosophical aspectBefore naming himself, Hanumān names his Lord and his king. Victory is announced for others — the mark of one who works without ego.

Sundara Kāṇḍa 5.55.3–4Hanumān, after burning Laṅkā

Blessed are those who check their anger

धन्यास्ते पुरुषश्रेष्ठा ये बुद्ध्या कोपमुत्थितम् ।
निरुन्धन्ति महात्मानो दीप्तमग्निमिवाम्भसा ॥
क्रुद्धः पापं न कुर्यात्कः क्रुद्धो हन्याद्गुरूनपि ।
क्रुद्धः परुषया वाचा नरः साधूनधिक्षिपेत् ॥
dhanyās te puruṣa-śreṣṭhā ye buddhyā kopam utthitam |
nirundhanti mahātmāno dīptam agnim ivāmbhasā ||
kruddhaḥ pāpaṃ na kuryāt kaḥ kruddho hanyād gurūn api |
kruddhaḥ paruṣayā vācā naraḥ sādhūn adhikṣipet ||
Word by word
dhanyāḥ teblessed are they
puruṣa-śreṣṭhāḥthe best of men
ye buddhyāwho by understanding
kopam utthitamanger that has arisen
nirundhantirestrain
mahā-ātmānaḥgreat souls
dīptam agnim iva ambhasāas a blazing fire with water
kruddhaḥan angry man
pāpam na kuryāt kaḥwhat sin would he not commit?
hanyāt gurūn apihe might kill even his elders
paruṣayā vācāwith harsh words
sādhūn adhikṣipethe might insult the good

MeaningBlessed are those great souls, the best of men, who with understanding hold back anger as it rises, as one puts out a blazing fire with water. What sin would an angry man not commit? In anger one may kill even one’s elders, and insult the good with harsh words.

ContextHaving set Laṅkā on fire, Hanumān is suddenly struck with fear that Sītā may have burned, and reproaches himself for acting in anger. He then finds her safe.

Philosophical aspectEven the greatest devotee examines his own anger. Buddhi — the discriminating intellect — is the water for the fire of krodha. The Gītā’s ladder of fall (2.63) ends in “buddhi-nāśāt praṇaśyati”; here buddhi saves.

The deeper message

Before the mightiest king of the world Hanumān does not say “I am Hanumān the hero”; he says “I am Rāma’s servant” — and that is where his strength comes from. Dāsya, servanthood, is not weakness but a borrowed infinity.

Submitting to the Brahmāstra though he could break it is a subtle point: the devotee respects every power that comes from God, even in the enemy’s hand.

Inner meaning

Burning Laṅkā: the point in sādhana when one gains sovereignty over the senses — the fire set by the enemy’s own hand consumes the city of desire.

“I Have Seen Sītā” Madhuvana and the return sargas 56–68 · 1 verse · 2 pictures
Hanumān gives Rāma the crest-jewel
Hanumān gives Rāma the crest-jewel
The vānara army marches south
The vānara army marches south

The story

Hanumān flies back to the waiting monkeys, roaring with joy. In their delight they raid Sugrīva’s honey-garden, Madhuvana, beating its guard; Sugrīva, hearing of it, laughs — only success would make them so bold.

Before Rāma, Hanumān’s first words are “dṛṣṭā sītā” — “Seen: Sītā!” — putting the good news first so that Rāma will not suffer a moment of doubt. He gives the cūḍāmaṇi and Sītā’s messages. Rāma weeps over the jewel and, having nothing worthy to give, embraces Hanumān — “this embrace is all I have”.

Verses

Yuddha Kāṇḍa 6.1.13Rāma, of Hanumān

The embrace that is all he can give

एष सर्वस्वभूतस्तु परिष्वङ्गो हनूमतः ।
मया कालमिमं प्राप्य दत्तस्तस्य महात्मनः ॥
eṣa sarvasva-bhūtas tu pariṣvaṅgo hanūmataḥ |
mayā kālam imaṃ prāpya dattas tasya mahātmanaḥ ||
Word by word
eṣaḥthis
sarvasva-bhūtaḥ tuwhich is my all
pariṣvaṅgaḥembrace
hanūmataḥto Hanumān
mayāby me
kālam imam prāpyaat this time
dattaḥis given
tasya mahātmanaḥto that great soul

MeaningThis embrace — all that I have — I give now to the great-souled Hanumān.

ContextRāma, an exile with nothing to give, says he cannot repay Hanumān’s service, and embraces him.

Philosophical aspectIn bhakti the highest reward is not a gift but the Giver. The Lord gives Himself to the one who gave himself.

The deeper message

Even the order of Hanumān’s words is service. Bad news may wait for gentleness; good news should come first and quickly.

Rāma’s embrace — the Lord holding the servant to His heart — is the highest reward in the bhakti tradition: not a gift from God, but God.

Rāma here — which quality, and exactly where

  • Gratitude “I have nothing to give that equals his service; let this embrace be all I give” (6.1.13).

Study companion — Sundara Kāṇḍa

pañcamaḥ kāṇḍaḥ

Sundara Kāṇḍa — The Beautiful Book

68 sargas · The leap, the search, the finding of Sītā, the burning of Laṅkā, the report

The only kāṇḍa named for a quality rather than a place, and the one recited whole (pārāyaṇa) in crisis. Rāma barely appears in person — and is present in every line, as the name carried across the sea. The kāṇḍa's hero is the devotee: Sundara is the epic's map of what faith, intelligence and perseverance do when they are the only resources left.

❖ Golden boxes moments that define Rāma as Maryādā Puruṣottama Green boxes where Kamban’s Tamil Rāmāyaṇam tells it differently Verse cards ślokas worth memorising

The Leap — Three Trials over the Seasarga 1StoryPhilosophy

The launch itself flattens Mahendra's forests; Hanumān crosses with arms forward "like the Lord measuring the worlds" (Vālmīki's own Trivikrama simile). Three encounters structure the sea, each demanding a different virtue. Maināka, the winged mountain hidden in the ocean since Indra clipped the mountains' wings, rises golden to offer rest — a debt to Vāyu repaid in hospitality. Declined with a touch of the hand: courtesy without a moment's delay (the temptation of comfort). Surasā, mother of serpents, sent by the gods themselves to test him, blocks the sky with a mouth that must be entered by boon-logic — he expands to match her gape, then in a flash shrinks to thumb-size, darts in and out, and salutes her: the boon honoured, the mission intact (the trap outwitted, not fought). Siṁhikā, the shadow-seizing rākṣasī, drags him down from below — her he simply enters and destroys from within (the real obstacle, met with force). Decline comfort, outwit the test, kill the actual bond: the tradition reads the triad as the seeker's own crossing.

Laṅkā by Night — Laṅkinī & the Search Through the Palacessargas 2–10StoryDharma

Sargas 2–3: shrunk to cat-size, Hanumān surveys the impossible city — moats, engines, golden ramparts on Trikūṭa — and enters left-foot-first (the śāstra's gesture for an enemy's door). The city's guardian goddess Laṅkinī bars him in her own form and is felled by one measured blow of his left fist — releasing her memory of Brahmā's prophecy: when a monkey overpowers you, Laṅkā's doom has arrived. The first domino of the fall is knocked over silently, at the gate, before a single prince knows he is there. Sargas 4–10: the moonlit search — mansion by mansion, the Puṣpaka vimāna, and Rāvaṇa's own inner apartments: the sleeping seraglio in disarray, and the great king himself asleep like a dark mountain; for one lurching moment Hanumān mistakes the magnificent Mandodarī for Sītā and leaps for joy — then corrects himself: Sītā, without Rāma, could neither sleep nor eat nor shine.

The scruple in the seraglio

Sarga 11 contains a passage the tradition treasures: Hanumān, having gazed on hundreds of sleeping women in search of one, stops to audit his own dharma — was the looking itself a sin? His self-verdict: the mind determines the act; his mind, fixed wholly on Sītā, registered nothing to covet, and nowhere else could a lost woman be sought but among women. The brahmacārī's conscience runs its own trial mid-mission — ethics as reflex, even inside enemy walls, even alone at night where no one would ever know. This is maryādā's inner face: the boundary kept when the only witness is oneself.

Anirveda — the Turn from Despairsargas 11–13StoryVersePhilosophy

The search exhausted, the spiral opens: if I return without her, Rāma dies of the news; Lakṣmaṇa follows; Bharata, Śatrughna, the mothers, Sugrīva, the vānaras — the whole chain of lives strung on my answer. Better never to return: become an ascetic here, or fast to death, or burn the city and die fighting. Vālmīki lets the catastrophizing run at full length — and then has Hanumān catch the falling mind by its own hair:

Sundara Kāṇḍa 12.10 — Hanumān to himself
अनिर्वेदः श्रियो मूलमनिर्वेदः परं सुखम् ।
अनिर्वेदो हि सततं सर्वार्थेषु प्रवर्तकः ॥
anirvedaḥ śriyo mūlam anirvedaḥ paraṁ sukham |
anirvedo hi satataṁ sarvārtheṣu pravartakaḥ ||
anirvedaḥ — non-despondency, the refusal of despair
śriyaḥ mūlam — is the root of prosperity
param sukham — the highest happiness
hi satatam — indeed, always
sarva-artheṣu — in all undertakings
pravartakaḥ — the driver, that which keeps effort moving

Perseverance defined negatively — a-nirveda — because Vālmīki is precise about how effort actually dies: not by defeat but by the inward verdict that defeat is certain. On this verse alone Hanumān stands up and enters the one place unsearched: the aśoka grove. The pārāyaṇa tradition prescribes this sarga for the hopeless; it is the epic's own instruction for reading the epic — and the working half of Rāma's code (satya governs what may never be surrendered; anirveda, what may never be indulged).

Sītā in the Aśoka Grove — Rāvaṇa's Visit & Trijaṭā's Dreamsargas 14–29Story❖ MaryādāBhakti

Sargas 14–15: from a śiṁśapā tree Hanumān sees her — wasted, in one soiled garment, "like smoke-shrouded flame," "like Rohiṇī harried by a planet" — and knows her by elimination and by love: this grief could only be for Rāma. Sargas 18–22: at dawn Rāvaṇa comes in full splendour with his women, and Vālmīki stages the epic's central moral duel with the two never touching: all his empire laid at her feet against her blade of grass — Sītā places a straw between them (tṛṇam antarataḥ kṛtvā) and addresses the straw, not him: turn your mind home; you cannot hold me any more than one can carry the sun; drag the fangs from a cobra's mouth sooner than touch Rāma's wife and live. His majesty is dismissed as a jackal courting a lioness. Rāvaṇa's deadline: two months, then the breakfast-table. Sargas 23–27: the rākṣasīs' round-the-clock menace; Sītā at the brink — resolving to hang herself with her own braid — when the omens throb. Sarga 27: Trijaṭā's dream, told to terrify the tormentors: Rāma in white on an ivory chariot blazing across the sky, Sītā on a white mountain touching the sun and moon, Rāvaṇa oil-smeared in red, dragged south by a woman; Laṅkā collapsed into the sea — protect this captive, she counsels, and beg her mercy.

Maryādā Puruṣottama — Sītā as the standard's other half

The maryādā ideal is a marriage, not a monologue. Sītā's grove-conduct mirrors Rāma's code point for point: the word once given (to Rāma at the fire) held against an empire's worth of pressure; strength on a leash (she tells Rāvaṇa she could burn him to ash by her own tapas — but will not, unordered by Rāma and unwilling to waste her power: the leash is hers); and the boundary kept in its spirit — she will not even address her captor directly. When the tradition says Rāma is dharma embodied, it counts Sītā inside the embodiment.

The Meeting — Rāma's Story from the Branch, the Ring & the Cūḍāmaṇisargas 30–40StoryKambaBhakti

Sargas 30–31: Hanumān's delicate problem, deliberated in full — appear suddenly, and she screams and the guard wakes; speak polished Sanskrit like a brāhmaṇa, and she takes him for Rāvaṇa in a new disguise. His solution is the kāṇḍa's loveliest invention: from the branch above her, softly, he recites the story of Rāma from Daśaratha onward — the name arriving before the messenger, in narrative, the one medium grief trusts. Sargas 32–36: the wonder, the fear (a talking monkey — is this dream? madness? māyā?), his descent and self-introduction, her interrogation — and the ring with Rāma's name, which she receives "as if her husband's hand had reached her." Her questions then are all of Rāma: does he eat? does he grieve? will he come? — and Hanumān's answers are the model of the true messenger, truthful about the grief, absolute about the coming.

The refusal that defines her

Sarga 37: Hanumān offers the shortcut — mount my back; within the hour you are in Rāma's lap. Sītā declines on grounds that define both her and the epic's ethic: fright and frailty aside, she will not willingly touch a male body other than Rāma's (Rāvaṇa's seizure was force; this contact would be choice); and above all, Rāma's honour requires that he defeat the abductor and reclaim her in the open — a smuggled rescue would make her recovery a theft and his glory a fraud. The captive scripts the terms of her own liberation, and they are maryādā's terms. Sarga 38: for a token no impostor could counterfeit she gives the memory of Kākāsura — the crow (Indra's son) who wounded her at Citrakūṭa, against whom Rāma launched the brahmāstra on a blade of grass, sparing him at the cost of one eye when he surrendered — "he who did that for a crow's scratch, why does he tarry now?" — and with it the cūḍāmaṇi from her hair.

Kamba Rāmāyaṇam differs

Tamil tradition holds Kambar's Sundara Kāṇḍam in singular reverence — the portion most memorized, most recited, most sung. Kambar heightens Sītā's viraha with the full apparatus of Tamil love-poetics and expands her testing of the messenger; and he sharpens the kāṇḍa's theology of grace with touches like Hanumān's reply to her doubt about monkeys defeating Laṅkā — the armies are nothing, Rāma's arrow is everything. Where Vālmīki's Sundara is the triumph of the devotee's effort, Kambar's tilts the weight wholly onto the Lord's power, with the devotee as its willing channel.

The Havoc — from Grove to Court to Burning Citysargas 41–54Story

Mission accomplished, Hanumān reasons like a general: an envoy who has come this far should also price the enemy — by provocation. Sarga 41–47: he wrecks the aśoka grove to a splinter (sparing only Sītā's śiṁśapā), then works up the chain of response — the eighty thousand kiṅkaras, the general Jambumālin, the seven ministers' sons, the five army-chiefs, and prince Akṣa, Rāvaṇa's beloved son, whose valour Hanumān genuinely salutes before killing him. Sargas 48–49: Indrajit himself, and the brahmāstra — which binds Hanumān for exactly as long as he chooses to honour it (he reveres Brahmā's weapon, and wants the throne-room interview); the rope-binding that follows unwittingly releases the astra. Sargas 50–52: before Rāvaṇa's blazing court, the ambassador delivers Rāma's terms standing on a seat of his own coiled tail — return Sītā or the race dies; even your boon does not cover monkeys and men. Rāvaṇa orders death; Vibhīṣaṇa saves the law (envoys are inviolate — mark him: the one jurist in Laṅkā); the tail is fired instead. Sargas 53–54: Sītā's prayer keeps the fire cool to him (śīto bhava hanūmataḥ); cat-small he slips his bonds, mountain-vast he leaps the rooftops, and Laṅkā — wind-fanned, ghee-fed by its own opulence — burns. One stab of horror (did Sītā burn?) is answered by the cāraṇas' voices: she is untouched. Farewell taken, ocean recrossed in a roar.

The Return — Madhuvana & "Dṛṣṭā Sītā"sargas 55–68Story❖ Maryādā

Sargas 57–63: the southern party, whole again, storms Sugrīva's cherished Madhuvana honey-grove in celebration — a riot Sugrīva hears of and correctly decodes: only success would make them this fearless. Sarga 64–65: before Rāma, Hanumān's report opens with the two words the tradition holds up as the model of all reporting — dṛṣṭā sītā, "Seen: Sītā" — the conclusion first, the anxiety ended in the first breath, details after. He renders her state, her message, the Kākāsura token, the cūḍāmaṇi — which Rāma presses to his heart, weeping. Sarga 66–68: Rāma's response to the messenger is the kāṇḍa's closing summit: "What Hanumān has done, none other could — crossing the ocean of a hundred yojanas... I grieve that I cannot repay him; this embrace is all my present fortune holds — let it be his everything" (eṣa sarvasva-bhūtas tu pariṣvaṅgo hanūmataḥ / mayā kāla imaṁ prāptaḥ) — and he embraces him.

Maryādā Puruṣottama — kṛtajñatā without exchange-rate

Nārada's fourth guṇa, kṛtajñaḥ, receives its defining scene. Rāma names the debt unpayable, refuses to pretend otherwise, and gives the whole of what he actually possesses — himself. The gratitude of the ideal man neither inflates (no empty titles) nor discounts (no "you only did your duty"); it prices the service truly and pays in the only honest currency available. Tradition holds that Hanumān asked nothing further, ever — the embrace closed all accounts and opened his immortal service.

Verses follow the Gita Press (southern) numbering, checked against valmikiramayan.net; other editions may differ by a few verses, and the critical edition omits some popular verses (marked). Stories are retold in brief from Vālmīki, with C. Rajagopalachari and Kamala Subramaniam for further reading; later additions (Tulasīdāsa, Kamban, folk tradition) are marked as such. The symbolic readings are offered for reflection — one way among several of hearing the story. Drawings: Vipin K. Das, from Children’s Illustrated Ramayanam, retold by Vishnu B (2011).